Cost estimate
Descriptions and units come from the SMM7 library. The quantity and the rate are yours, and the bill you price is the one every later valuation measures against.
30 days free, no card.
Pick the item, enter the quantity and your rate. The description and the unit are already right, because they come from the method of measurement.
The library
The library carries 8,397 priced items across the 16 SMM7 work sections, from preliminaries to external works.
Pick the item, enter the quantity and your rate. The description and the unit are already right, because they come from the method of measurement.
Your rates
A library gives you the wording; it has no idea what your market charges this year.
Every figure is the sum of the lines below it. Change a rate and the section, and the total, move with it.
Into the contract
An estimate that lives in a different file from the valuations is two versions of the truth.
The structure you price at the start is the structure the client sees for the rest of the contract.
Who it is for
You are applying
You value it, and the certificate cuts itYou value the work line by line and submit the application. When the certificate lands short, the difference is argued line by line too, and your valuation is the evidence.
Applying for paymentYou are certifying
You cut it, and you sign your nameYou value the same lines from the other chair and issue the certificate. Every percentage you cut has to survive the question of why, a month or a year later.
Certifying paymentYou are doing both
You value your own work, aloneYou price it, you value it and you apply for it yourself, between site visits. The certificate still has to add up as if a surveyor had built it.
Doing both yourselfYou are reporting
You certify value the lender pays onYou certify value in place so the lender can release the next tranche. The valuation is the same arithmetic; the reader was never on site.
Recommending a drawdownThe client, the architect and the tenderer are not on this list. They are the people you let in on a link: they see the one document you sent them, answer it, and that answer is written into the record. No account, no licence, no charge, on every plan.
The questions this page raises most often, answered without a sales pitch at the end.
No. You can enter your own lines from scratch, bring in a priced document, or mix the two. The library is there so the wording and the units are right without typing them.
No, and that is deliberate. Descriptions and units are standard; rates are yours. A library rate would be somebody else’s guess about your market.
The library is organised by SMM7 work sections, 8,397 priced items across all 16 of them. You can rename and reorganise sections freely once they are in your estimate.
It becomes the bill of quantities. Valuations value against those lines, variations join them as new lines, and the final account adjusts the same structure through to the balance due.
From the blog
Three pieces from the same corner of a contract as this page, answered at length and without a sales pitch at the end.
Since the domestic reverse charge, most VAT-registered construction supplies inside CIS swap who accounts for the tax: the customer does, not the supplier. Why the invoice looks wrong and is right, the end user exception, and the cash flow effect nobody warns you about.
Read nowThe honest answer is that either beats a two-page quote, and the choice mostly follows who the client is: RIBA’s domestic forms are written for homeowners, JCT Minor Works for jobs run by a professional. And Minor Works is not a small version of the big forms.
Read nowFor construction the tax point is usually the earlier of invoice or payment. Retention is different: its tax point waits until the retention is received or invoiced.
Read nowKeep reading
Pick the items, put your own quantities and rates against them, and watch the sections subtotal to the estimate. Nothing is retyped between the estimate and the bill.
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